manhattan edit workshop
Manhattan Edit Workshop Six Week Workshop Student Profile: Tim Moyle
Manhattan Edit Workshop Student Voices
Learn how to Import Images into Premiere Pro
How to Shoot Movies on a Canon 5D Mark III
How to Automate a Sequence in Adobe Premiere Pro
Editor Carol Littleton, ACE on the Filming Style Used in "Body Heat"
How to Use Monitor Overlays in Adobe's Premiere Pro
How to use Auto Focus Point Selection on a Canon 5D
Sight, Sound & Story: "Unveiling Production Design for Film and TV Creations"
How to use the Live View Shooting on a Canon 5D MK III
How to use Auto Focus Mode & Drive Mode on a Canon 5D
MEWShop Tech Talk Online Featuring AJA's Colorbox - Features & Capabilities
How to Change ISO Speed on a Canon 5D Mark III
Editor Larry Silk, ACE Discusses How the Documentary "Marjoe" Came to Be
How to use the Electronic Level on a Canon 5D
How to Adjust Audio Levels in Avid
Learn how to use Shooting Modes on a Canon 5D in 2 minutes
How to Use Ripple Overwrite Edit in DaVinci Resolve
Learn how to Create the 'Ken Burns Effect' in Premiere Pro
How to set the Image Recording Quality on a Canon 5D
How to Sync Clips in Avid Media Composer
How to Use the Project Panel in Premiere Pro
Saving Effects Presets in Final Cut Pro X
Learn how to Make Audio Keyframes in Avid Media Composer
How to use Image Playback on a Canon 5D
Editor Michael Berenbaum, ACE Discusses the Manipulation of Shots from "Barton Fink"
Talking MEWShop: Music Rights & Music Wrongs
Editor Alan Heim, ACE Discusses Working with Bob Fosse on All That Jazz
How to Edit with Proxy Files in Final Cut Pro X
How to Import Still Images into Avid Media Composer
Editor Anne V. Coates, ACE on Character Chemistry in "What About Bob?"
Editor Craig McKay, ACE Discusses editing the Documentary Babies with Bobbie O'Steen
How to Edit Multicam Group Clips in Avid Media Composer
Learn how to Add Transitions to Connected Clips in Final Cut Pro X
Learn how to Create Multicam Group Clips in Avid Media Composer
How to use a Two Point Tracker in Avid Media Composer
How to Create Bins in Premiere Pro
Editor Alan Heim, ACE Discusses a Peculiar Screening of "Star 80," as Well as Working with Directors
Film Editor Jim Lyons on Directing the Audience's Focus in "Far from Heaven"
How to Use the Paint Stroke Tool in Motion
How to Trim and Slip in Adobe After Effects
Film Editor John Gilroy, ACE on Using Sparse Coverage in "Narc"
How to Add a Gap Clip in Final Cut Pro X
Editor Kelley Dixon, ACE on Creative Freedom in "Breaking Bad"
Editor Jeffrey Wolf, ACE, Discusses his Work on Adapting "Holes" to the Big Screen
Editor Jeffrey Wolf, ACE on His Process Editing Eddie Murphy's SNL Sketch "White Like Me"
Sight, Sound & Story - Behind the Lens: Capturing Horror Films
How to Create a Sequence from a Selection in Avid Media Composer
Legendary Editor Thelma Schoonmaker, ACE on Editing an Improvisational Scene from "Raging Bull"
Color Grading Commercials - Colorist Masterclass at Manhattan Edit Workshop with Dado Valentic
How to Create Customized Workspaces in Final Cut Pro X
How to Sync Audio and Merge Clips in Premiere Pro
How to Use Default Transitions in Premiere Pro
Editor Alan Heim, ACE on Editing Beatrice Straight's Performance in "Network"
EditFest NY 2011 Interview with Vincent LoBrutto, Moderator and Author
How to Use the Frame Flex Tool in Avid Media Composer
How to use Auto Focus Area Selection on a Canon 5D
Editing a Complex Table Scene from "Succession"
Editor Jeff Ford, ACE on the Process of Editing a Complex Action Sequence from "The Avengers"
How to Work With Local Versions in DaVinci Resolve