Farsi Poetry: Nizami Ganjavi -Supplication- with English subtitles مناجات - شعر فارسي - نظامی گنجوی
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چاره ما ساز که بی داوریم
گر تو برانی به که روی آوریم
این چه زبان وین چه زبان را نیست
گفته و ناگفته پشیمانیست
دل ز کجا وین پر و بال از کجا
من که و تعظیم جلال از کجا
جان به چه دل راه درین بحر کرد
دل به چه گستاخی ازین چشمه خورد
در صفتت گنگ فرو مانده‌ایم
من عرف الله فرو خوانده‌ایم
چون خجلیم از سخن خام خویش
هم تو بیامرز به انعام خویش
پیش تو گر بی سر و پای آمدیم
هم به امید تو خدای آمدیم
یارشو ای مونس غمخوارگان
چاره کن ای چاره بیچاره‌گان
قافله شد واپسی ما ببین
ای کس ما بیکسی ما ببین
بر که پناهیم توئی بی‌نظیر
در که گریزیم توئی دستگیر
جز در تو قبله نخواهیم ساخت
گر ننوازی تو که خواهد نواخت
دست چنین پیش که دارد که ما
زاری ازین بیش که دارد که ما
درگذر از جرم که خواننده‌ایم
چاره ما کن که پناهنده‌ایم
ای شرف نام نظامی به تو
خواجگی اوست غلامی به تو
نزل تحیت به زبانش رسان
معرفت خویش به جانش رسان
أواز : شهيد خطيبي
Narration: Shaheed Khatibi
#nizamiganjavi #munajat #مناجات
Nizami Ganjavi (Persian: نظامی گنجوی, romanized: Niẓāmī Ganjavī, lit. 'Niẓāmī of Ganja') (c. 1141–1209), Nizami Ganje'i, Nizami, or Nezāmi, whose formal name was Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī, was a 12th-century Persian Muslim poet. Nezāmi is considered the greatest romantic epic poet in Persian literature, who brought a colloquial and realistic style to the Persian epic. His heritage is widely appreciated and shared by Afghanistan, Azerbaijan, Iran, the Kurdistan region and Tajikistan. He was born of an urban background in Ganja (Seljuq empire, now Azerbaijan) and is believed to have spent his whole life in South Caucasus. According to De Blois, Ganja was a city which at that time had predominantly a Persian population. Because Nezami was not a court poet, he does not appear in the annals of the dynasties. Tazkerehs, which are the compilations of literary memoirs that include maxims of the great poets along with biographical information and commentary of styles refer to him briefly. Much of this material in these Tazkerehs are based on legends, anecdotes, and hearsays. Consequently, few facts are known about Nezami's life, the only source being his own work, which does not provide much information on his personal life.
چاره ما ساز که بی داوریم
گر تو برانی به که روی آوریم
این چه زبان وین چه زبان را نیست
گفته و ناگفته پشیمانیست
دل ز کجا وین پر و بال از کجا
من که و تعظیم جلال از کجا
جان به چه دل راه درین بحر کرد
دل به چه گستاخی ازین چشمه خورد
در صفتت گنگ فرو مانده‌ایم
من عرف الله فرو خوانده‌ایم
چون خجلیم از سخن خام خویش
هم تو بیامرز به انعام خویش
پیش تو گر بی سر و پای آمدیم
هم به امید تو خدای آمدیم
یارشو ای مونس غمخوارگان
چاره کن ای چاره بیچاره‌گان
قافله شد واپسی ما ببین
ای کس ما بیکسی ما ببین
بر که پناهیم توئی بی‌نظیر
در که گریزیم توئی دستگیر
جز در تو قبله نخواهیم ساخت
گر ننوازی تو که خواهد نواخت
دست چنین پیش که دارد که ما
زاری ازین بیش که دارد که ما
درگذر از جرم که خواننده‌ایم
چاره ما کن که پناهنده‌ایم
ای شرف نام نظامی به تو
خواجگی اوست غلامی به تو
نزل تحیت به زبانش رسان
معرفت خویش به جانش رسان
أواز : شهيد خطيبي
Narration: Shaheed Khatibi
#nizamiganjavi #munajat #مناجات
Nizami Ganjavi (Persian: نظامی گنجوی, romanized: Niẓāmī Ganjavī, lit. 'Niẓāmī of Ganja') (c. 1141–1209), Nizami Ganje'i, Nizami, or Nezāmi, whose formal name was Jamal ad-Dīn Abū Muḥammad Ilyās ibn-Yūsuf ibn-Zakkī, was a 12th-century Persian Muslim poet. Nezāmi is considered the greatest romantic epic poet in Persian literature, who brought a colloquial and realistic style to the Persian epic. His heritage is widely appreciated and shared by Afghanistan, Azerbaijan, Iran, the Kurdistan region and Tajikistan. He was born of an urban background in Ganja (Seljuq empire, now Azerbaijan) and is believed to have spent his whole life in South Caucasus. According to De Blois, Ganja was a city which at that time had predominantly a Persian population. Because Nezami was not a court poet, he does not appear in the annals of the dynasties. Tazkerehs, which are the compilations of literary memoirs that include maxims of the great poets along with biographical information and commentary of styles refer to him briefly. Much of this material in these Tazkerehs are based on legends, anecdotes, and hearsays. Consequently, few facts are known about Nezami's life, the only source being his own work, which does not provide much information on his personal life.
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