VFX and Chill | Loki Sacred Timeline FUI in After Effects (w/ Cantina Creative's Darby Faccinto)

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Maxon Red Giant
Maxon Red Giant
Hashi and Seth are joined by Darby Faccinto who worked with ...
Hashi and Seth are joined by Darby Faccinto who worked with @CantinaCreative on Marvel's Loki! They dive into the FUI of the show and talk about how you too can build up a tool belt full of your happy little accidents. Download the TVA Screen Template here: https://www.cineversity.com/tutorials...

Follow Darby on Instagram: Instagram: darbyfaccinto
John LePore's presentation at the 3D & Motion Design Show: John LePore @ The 3D and Motion Desig...
Michael's presentation at the 3DMS: Michael Szalapski @ The 3D and Motion...
Zack Lovatt's free Key Sets script: https://lova.tt/scriptlets#key-sets

5:35 - How Darby got the gig
10:42 - Looking at reference
16:53 - Looking at the Sacred Timeline
21:08 - Beginning to make the Sacred Timeline with a shape layer and Wiggle Paths
26:36 - How to add branches to the Sacred Timeline
29:16 - Making the branches and making them seem to have life
33:24 - Making the branches stick to the main timeline
40:30 - Trim paths to grow the branches on
44:55 - Adding color to the branches
52:09 - Using the Mosaic effect to make it look like it's being drawn
57:47 - Hashi makes a TVA TV model in C4D from a stock model
59:17 - Hashi bringing the model into After Effects with Element 3D
1:04:15 - Seth shows off his face animation comped into a screen
1:07:07 - Hashi uses a null to automatically drive focus point
1:09:00 - How to quickly get lots of text on screen with Red Giant Universe
1:12:39 - Darby starts talking about making the ticker
1:18:31 - Using Trapcode Form to pixelate the ticker with custom images
1:22:20 - Using the ticker animation inside Trapcode Form
1:24:20 - Making a custom sprite for a more interesting look
1:29:27 - How to easily make a preset of your custom setup to reuse
1:32:16 - Beginning to make the text for the ticker
1:35:35 - Using the Offset effect for infinite animation
1:45:35 - Dealing with legibility of text in these particle graphics
1:53:00 - Hashi shows off his compositing of the TV screen and Seth talks bold vs. subtle
2:10:10 - Hashi puts Darby's graphics into his shot

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