The Holdovers, the 'Film Look', and Why it Matters

Alexander Payne, cinematographer Eigil Bryld, and colourist Joe Gawler took unusual steps to make THE HOLDOVERS look like a film shot in the 1970s and subsequently left in a garage to rot. What does it all mean?

Based off of my article in Filmmaker Magazine - read it here:
https://filmmakermagazine.com/124994-...

Find my work here:
https://www.movingimageagency.com/

NOTES:

• Typo 00:02:50 "LTR" = "LCR"